And the fun memories of raking them into big piles to jump in as kids. They deserve some retribution already.We all love that classic fall look, with bright red, orange and yellow leaves in the sunshine. Although, at this point, if the grotesque violence is redirected at the villains of the tale, it might not be such a bad thing. Let's hope he can maintain this level of reasonable restraint as the book reaches its climax. When Millar doesn't resort to shock tactics and doesn't deliver scripts that breeze by in a handful of minutes, there is a genuinely compelling story to be found. My feelings towards this series are schizophrenic at best. The colors are also suitably moody and downbeat. Palmer is able to flesh out his layouts in a way that remains true to Romita's style but smooths and accentuates his work as well. Romita's recent work has suggested the artist is simply spread too thin at Marvel. The art also continues to benefit from the collaboration between John Romita Jr. Things have gone from good to terrible for the heroes, and the pendulum may be due to swing back in the other direction before this series wraps. That aside, it is genuinely entertaining to see Hit-Girl slowly work her way back into the fold. "Real world" superheroes or not, some of the events that unfold here are only possible in a comic book. Once again, there's a fairly large suspension of disbelief requirement with this book. What issue #5 offers is an increasingly escalating conflict as Red Mist and his minions continue to lash out at Kick-Ass and his fellow heroes.
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